Portfolio / Campaigns
A campaign is not a photoshoot. A campaign is a brief, an audience, a media plan, and a deadline — and the photography is one component of an asset set that has to perform across every touchpoint the brand commits to. After two decades running campaigns for brands across Malta and the EU, this is the work I'm most often hired for, and it's the work that demands the most beyond pure photography.
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Campaign work means creative direction. It means turning a marketing brief into a visual concept, a shot list, a production schedule, and a deliverables matrix that accounts for every format the campaign will live in: six-sheets, forty-eight-sheets, social square, social story, social vertical, web hero, email hero, in-store POS, packaging callouts, trade press, sponsor activations. Each format has its own composition rules, safe zones, and crop logic.
What this requires is the ability to hold all of that in one workflow. Pre-production: interpreting the brief, building shot lists, mood boards, planning locations, props, sets, schedule, and working within the budget defined by the client or agency. Production: directing on set where required, or integrating into an existing agency/client team, maintaining continuity and pace while keeping the shoot efficient and focused. I don't typically run casting or crew hiring — those are usually handled by agencies or production teams, though I advise when needed. Post: edit direction, retouching, colour, and delivery across all required formats.
The campaigns I take on are usually large-scale commercial productions where clarity, consistency, and execution matter more than experimentation. Brands like McDonald's Malta, Cisk, hospitality groups, and tourism-related clients have been part of that mix. The common factor is structured production environments where the visual output must be dependable, scalable, and aligned with wider campaign systems.
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